"Q: In 25 words, who is Charlotte Miles?
A: Cellist, daughter, friend; lover of kimchi, Sally Rooney novels, and documentaries about aviation disasters. Temporary German, lifelong Aussie, full-time cheeky monkey."
Documentary on the cello and voice semifinalists of the 73rd ARD International Music Competition, September 2024
"Insgesamt wurden beim 73. Internationalen ARD-Musikwettbewerbs 2024 vier erste, vier zweite sowie sechs dritte Preise in den Fächern Bläserquintett, Gesang, Oboe und Violoncello verliehen. [...] Sonderpreis der Mozart-Gesellschaft München: Charlotte Miles, Violoncello."
Charlotte Miles and Michael Clarke on the Australian Festival of Chamber Music, live from Townsville (August 1, 2023)
"Young cellist Charlotte Miles embraced the elegant restraint and good humour of the Variations on a Rococo Theme with keen musical intelligence, assured technique and honeyed tone."
- Tony Way
"A splendid recital [...] what a talent! The enormous technical challenges of Ligeti's furious moto perpetuo Capriccio from his Sonata for solo cello were carried off with great aplomb. Her maturity was shown in an intensely moving extract from Messiaen's Quartet for the End of Time."
- Steve Moffatt
3MBS 2019 Young Performer Charlotte Miles is building a shining career [...] explicit and distinct characterisation, graceful contours, quirky playfulness, technical bravura and fine ornamentation [made for] a highly enjoyable Rococo journey."
- Julie McErlain
"[...] To be fortunate enough to be able to play an instrument with a colour palette vast enough to paint all the soundscapes you've imagined is nothing short of magic."
"Live performance is all about the moment where somebody starts crying and you will never know why, but you've enacted a response in them that will change them forever. It's about speaking to people afterwards who have attended your concert and being able to unpick their story and why they attended in the first place. It's a pleasure and a privilege to interpret a composer's hieroglyphics, to bring them to life and to really convey them to people."
"With my young eyes, I would marvel at the collective emotional metamorphosis of an audience who entered the concert hall engrossed in their busy lives, and emerged from the hall touched, challenged, or inspired; to me, music was always a noble and powerful profession."
"Of course, all orchestral playing is really large-scale chamber music [...] and it’s just such a joy. It’s almost meditative how much focus you can bring when you are really curious about what other sounds are going on around you. "
From my home to yours, wishing you and your loved ones safety and joy; the constant support of the ANAM family has meant the world to me [in lockdown], and I can’t wait to make music again with colleagues near and far."
"When I do have some pre-performance jitters, I like to think about the fact that we, as musicians, decorate time. Visual artists decorate space, but we decorate time. Time’s always ticking, and it’s not something that you can go back and re-polish and do whatever like a visual artist and drive yourself insane. When it’s done, it’s done, and you leave, and you take your make-up off and you don’t worry about it ever again."
"20-year-old violinist Tim Yu from Australia was awarded 1st prize at the 2018 Gisborne International Music Competition – in Gisborne, New Zealand.
2nd and 3rd prizes were awarded to 16-year-old cellist Charlotte Miles from Australia – and 22-year-old violinist Aziel Verner from New Zealand."
- The Violin Channel
"In the first round of 2023, 24 emerging artists were awarded $262,584 in grants. Our newest grantees will travel to 18 countries, including Senegal, Brazil and the Czech Republic, to undertake professional development in their respective disciplines.
Congratulations to our new grantees."
- The Ian Potter Cultural Trust
"We are most grateful to our distinguished panel of judges for donating their time and expertise to select twelve exceptional young musicians to receive grants to support their studies overseas."
- The Australian Music Foundation
Copyright © 2024 Charlotte Miles
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